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Les votants comprennent des artistes classiques et contemporains, dont Beyoncé, Taylor Swift et Billie Eilish ; des artistes émergents comme HER, Tierra Whack et Lindsey Jordan de Snail Mail ; ainsi que des musiciens vétérans tels qu'Adam Clayton and the Edge de U2, Raekwon du Wu-Tang Clan, Gene Simmons et Stevie Nicks. 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Appréciés en club, lors d'une fête, via des enceintes ou des écouteurs, les albums de ce livre méritent d'être écoutés encore et encore, pendant les cinquante prochaines années et au-delà.\u003cbr\u003e \u003cbr\u003eAlbums présentés : \u003ci\u003eKurtis Blow\u003c\/i\u003e (éponyme, 1980) ; \u003ci\u003eThe Message\u003c\/i\u003e (Grandmaster Flash et les Furious Five, 1982) ; \u003ci\u003eRun-DMC\u003c\/i\u003e (éponyme, 1984), \u003ci\u003eHot, Cool \u0026amp; Vicious\u003c\/i\u003e (Salt-N-Pepa, 1986) ; \u003ci\u003ePaid in Full\u003c\/i\u003e (Eric B. \u0026amp; Rakim, 1987) ; \u003ci\u003eStraight Outta Compton\u003c\/i\u003e (NWA, 1988) ; \u003ci\u003eLyte as a Rock\u003c\/i\u003e (MC Lyte, 1988) ; \u003ci\u003eAs Nasty as They Wanna Be\u003c\/i\u003e (2 Live Crew, 1989) ; \u003ci\u003eMama Said Knock You Out\u003c\/i\u003e (LL Cool J, 1990) ; \u003ci\u003ePeople's Instinctive Travels and the Paths of Rhythm\u003c\/i\u003e (A Tribe Called Quest, 1990) ; \u003ci\u003eThe Chronic\u003c\/i\u003e (Dr. Dre, 1992) ; \u003ci\u003eEnter the Wu-Tang (36 Chambers)\u003c\/i\u003e (Wu-Tang Clan, 1993) ; Français \u003ci\u003e: Le règne noir\u003c\/i\u003e (Queen Latifah, 1993) ; \u003ci\u003eLe doggystyle\u003c\/i\u003e (Snoop Dogg, 1993) ; \u003ci\u003eIllmatic\u003c\/i\u003e (Nas, 1994) ; \u003ci\u003ePrêt à mourir\u003c\/i\u003e (The Notorious BIG, 1994) ; \u003ci\u003eScarface\u003c\/i\u003e (1994) ; \u003ci\u003eFunkdafied\u003c\/i\u003e (Da Brat, 1994) ; \u003ci\u003eMystic Stylez\u003c\/i\u003e (Three 6 Mafia, 1995) ; \u003ci\u003eHard Core\u003c\/i\u003e (Lil' Kim, 1996) ; \u003ci\u003eRidin' Dirty\u003c\/i\u003e (UGK, 1996) ; \u003ci\u003eAll Eyez On Me\u003c\/i\u003e (2Pac, 1996) ; \u003ci\u003eSupa Dupa Fly\u003c\/i\u003e (Missy Elliott, 1997) ; \u003ci\u003eAquemini\u003c\/i\u003e (Outkast, 1998) ; \u003ci\u003eLa Miseducation de Lauryn Hill\u003c\/i\u003e (Lauryn Hill, 1998) ; \u003ci\u003eIl fait sombre et l'enfer est chaud\u003c\/i\u003e (DMX, 1998) ; \u003ci\u003eTout s'effondre\u003c\/i\u003e (The Roots, 1999) ; \u003ci\u003eFrançais : La plus mauvaise chienne\u003c\/i\u003e (Trina, 2000) ; \u003ci\u003eLe LP Marshall Mathers\u003c\/i\u003e (Eminem, 2000) ; \u003ci\u003eLe Blueprint\u003c\/i\u003e (JAY-Z, 2001) ; \u003ci\u003eLe Seigneur Willin'\u003c\/i\u003e (Clipse, 2002) ; \u003ci\u003eDeviens riche ou meurs en essayant\u003c\/i\u003e (50 Cent, 2003) ; \u003ci\u003eLe décrochage universitaire\u003c\/i\u003e (Kanye West, 2004) ; \u003ci\u003eLet's Get It: Thug Motivation 101\u003c\/i\u003e (Young Jeezy, 2005) ; \u003ci\u003eKing\u003c\/i\u003e (TI, 2006) ; \u003ci\u003eLupe Fiasco's the Cool\u003c\/i\u003e (Lupe Fiasco, 2007) ; \u003ci\u003eThe Carter III\u003c\/i\u003e (Lil Wayne, 2008) ; \u003ci\u003eThe State vs. Radric Davis\u003c\/i\u003e (Gucci Mane, 2009) ; \u003ci\u003ePink Friday\u003c\/i\u003e (Nicki Minaj, 2010) ; \u003ci\u003eWatch the Throne\u003c\/i\u003e (JAY-Z et Kanye West, 2011) ; \u003ci\u003eRien n'était pareil\u003c\/i\u003e (Drake, 2013) ; \u003ci\u003ePour pimper un papillon\u003c\/i\u003e (Kendrick Lamar, 2015) ; \u003ci\u003eDS2\u003c\/i\u003e (Future, 2015) ; \u003ci\u003eCulture\u003c\/i\u003e (Migos, 2017) ; \u003ci\u003eInvasion of Privacy\u003c\/i\u003e (Cardi B., 2018) ; Tierra \u003ci\u003eWhack\u003c\/i\u003e (2018) ; \u003ci\u003eEve\u003c\/i\u003e (Rapsody, 2019) ; \u003ci\u003eCity on Lock\u003c\/i\u003e (City Girls, 2020) ; \u003ci\u003eMontero\u003c\/i\u003e (Lil Nas X, 2021) ; \u003ci\u003eTraumazine\u003c\/i\u003e (Megan Thee Stallion, 2022) \u003cbr\u003e","brand":"Kiana Fitzgerald","offers":[{"title":"Couverture rigide sur planches","offer_id":45712524181743,"sku":"9780762482979","price":35.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0627\/0903\/9343\/files\/BNCImageAPI_112f4fbf-2d60-4051-a0de-882ab8832f5b.jpg?v=1723401711"},{"product_id":"guitar-family-trees","title":"Arbres généalogiques des guitaristes","description":"\u003cp\u003e \u003cb\u003eDécouvrez la riche histoire derrière l'instrument de musique préféré du monde dans \u003ci\u003eGuitar Family Trees\u003c\/i\u003e .\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003eCe catalogue visuel saisissant retrace l' \u003cb\u003ehistoire des guitares les plus célèbres\u003c\/b\u003e et les plus recherchées \u003cb\u003eet de leurs fabricants\u003c\/b\u003e , y compris des noms connus tels que \u003cb\u003eGibson\u003c\/b\u003e , \u003cb\u003eMartin\u003c\/b\u003e , \u003cb\u003eRickenbacker\u003c\/b\u003e et \u003cb\u003eFende\u003c\/b\u003e r. 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Throughout the decades, numerous Black entertainers continued to add their take on rock and alternative genres, expanding and building on what was already there to create what we know as alternative music today: look no further than the electric fire of Jimi Hendrix’s guitar licks in the '60s, the kaleidoscopic melee of hardcore and reggae that was Bad Brains in the late '70s, and the funkadelic swagger of Living Colour in the '80s.\u003cbr\u003e\u003cbr\u003e Despite their groundbreaking contributions, why have Black musicians been so neglected from the historical canon? Is alternative music still seen as a white genre, and how are Black musicians and fans making space for themselves in the music scenes they love? This book tells the story of Black artists performing in alternative genres from punk to rock and roll, indie to new wave, alongside their Black fans. Through brand new interviews and meticulous research, Phillips documents the history of Black people’s influence on these genres, highlighting the key players, assessing the legacy of their work, and drawing attention to those who have been obscured from history. Where rock magazines and music books previously omitted or misunderstood the stories of Black artists and fans, this book centers their voices and attempts to right the wrongs of the past. 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Each volume explores the craft, culture, and character behind these beloved obsessions, revealing how they evolve into lifelong passions. 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Working as a cassette DJ and ticket girl, she would see (and sometimes meet) the luminaries who’d pass through town—Nirvana, Jane's Addiction, Pavement, Sonic Youth. Thanks to a thrown beer bottle and a long-shot fan letter to a PO Box, her band Tinker scored a life-changing opening slot for The Smashing Pumpkins and, sensing her natural talent on bass, Billy Corgan recommended her to Courtney Love, just one of the many uncanny threads that weaves destiny throughout this riveting memoir. \u003c\/p\u003e\u003cp\u003e Whisked from her local scene and thrust into the eye of a hurricane of grief on a global stage, Melissa joined Hole for the band's 1994 Live Through This world tour just after the deaths of Kurt Cobain and Hole's prior bassist, Kristen Pfaff, with Courtney Love at the center of it all. It was a tour of passionate intensity, as a chaotic yet stunningly powerful band constantly threatened to spin out of control. 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